Il volume raccoglie le seguenti relazioni:
Rosa BAROVIER MENTASTI and Cristina TONINI,Tools to Study Glass: Inventories, Paintings and Graphic Works of the 16th century;
Paolo ZECCHIN, The Inventory of matteo Priuli in the year 1700;
Marco VERITA', Secrets and Innovations of Venetian Glass between the 15th and the 17th centuries: Raw materials, Glass melting and artefacts;
Juanita NAVARRO and suzanne HIGGOTT, Work in Progress: ‘Venetian and Façon de venise all-Glass composites or Hybrids: manufacture, detection and distribution’;
Chiara BERICHILLO, The Small centre of Piegaro and its ancient links with Glass Production;
Kinga TARCSAY, Studies on Glass in Venetian Style of the 16th and 17th centuries in Austria;
Kitty LAMERIS, Some new Insights about 16th and 17th century vetro a retortoli;
Andrew MEEK, Qualitative compositional analysis of a late 16th century enamelled Glass Goblet;
Dora THORNTON, Venice or Façon de venise? Two enamelled Glasses in the British museum;
Käthe KLAPPENBACH, Venetian chandeliers from the 16th century onward and their Influence on chandelier Production in Europe and Brandenburg-Prussia;
Bettina K. SCHNEIDER, The Restoration of a Glass arm chandelier from the middle of the 19th century Belonging to the Prussian Palaces and Gardens in Berlin-Brandenburg;
Corinna MATTIELLO, Restoration Techniques;
Lavinia DE FERRI, Andrea LORENZI, Pier Paolo LOTTICI, Angelo MONTENERO and Giovanna VEZZALINI, Protection of Historical Glasses by Hybrid Sol Gel coatings;
António PIRES DE MATOS, Robert WILEY, Magda TOREIRA, Carlos QUEIROZ, Andreia RUIVO, Nuno PAULINO and César LAIA, Venetian Glass in contemporary art.